You know what I see, when I see a Proud Of Lynyrds Skynyrds Vintage shirt like this? I think of poor Sharon Tate who was tortured by The Charles Manson Cult. For years I’ve had this incorrect picture in my head (thanks to my friend’s mom): Sharon, her unborn baby torn out of her stomach, hung by her own umbilical cord. Recently I found out this part, apparently, must have been remembered incorrectly by my friend’s mom (as someone points out in the comments). I know I did not remember what she said incorrectly because I was 17 and that kind of thing was so vivid, it completely changed my outlook on humanity. To find out these many years later that I was told incorrectly does not change the horror of the facts, it just makes it slightly less horrific.
I was amazed. I was off the Agatha train two Proud Of Lynyrds Skynyrds Vintage shirt ago. I mean I knew she was Agatha, but I didn’t think she was evil. Elaborate misdirects — I don’t know what I was expecting with Marvel. One question I have though is, was she interviewing herself? That still puzzles me. But now that they’ve told us, it’s like, what can they do for the final two episodes? Now that they’ve done all the eras, they have no choice but to go full Marvel, it seems like. Billy and Tommy are inexplicably gone.
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During my stay at the the local pokey, I was sent to the hospital twice after receiving 2 severe beatings carried out by multiple gang members both times for no particular Proud Of Lynyrds Skynyrds Vintage shirt other than to steal what little I had. Fighting back had occurred to me, and heck I had gotten rather good at fighting back in high school, mostly due to a combination of a lack of F’s and my quick cutting wit that much dumber more violent prone people found infuriating. Because of this I had learned to back my mouth up with my fists.
Movies like Earthquake make you appreciate the Michael Bay and Roland Emmerich, those apologetically hollow filmmakers who aren’t afraid to favor Proud Of Lynyrds Skynyrds Vintage shirt over memorable storytelling. With this high-caliber 1970s disaster flick, starring the likes of Charlton Heston and Richard “Shaft” Roundtree, director Mark Robson unwisely focused on the script’s rampant melodrama and unlikable characters. There’s an unspoken agreement shared between filmmakers and audiences who sign up for something called Earthquake: Show us tons of mindless action, some visual effects sequences we’ve never seen before, and include a few goofy one-liners and we’ll overlook all of the narrative flaws. Robson, however, actually tried to develop undesirable characters instead of going overboard with the hysteria, thus making the actual earthquake moments flat and the film itself unbearable.